MARK D. MILLOFF
 mmilloff@risd.edu,

Education
         MFA, The Maryland Institute, College of Art, Baltimore, MD
BA, Connecticut College, New London, CT

One Person Exhibitions
2004         Ethan Cohen Gallery, Art Haus, “Painting: Inside-Out” Truro,MA
2003   Cue Art Foundation, “Drawn Up Toward Heaven By Invisible Wires”
      Mixed Media Installation, NYC
2002  Katherina Krohn Galerie, Basel, New Paintings
         Stux Gallery, NYC, Project Room, New Paintings
         Connecticut College. New London,CT
2001 Buchmann Galerie, Cologne, Germany,  Hunting In the Galerie,
         Paintings, Performance and Movies.
2000 Tricia Collins Fine Art, NYC, Trick Shooting, Paintings and Movies
1999         Howard Yezersky Gallery, Boston.
1998         Tricia Collins Fine Art, NYC
         Buchmann Gallerie, Cologne, Germany.
1997         Tricia Collins Fine Art ,New York, NY
1995          Tricia Collins Fine Art, New York, NY
         Margulies-Taplin Gallery, Coral Gables
         Howard Yezersky Gallery, Boston
1994         Fred Hoffman Gallery, Los Angeles, CA
         "Art Hotel," Amsterdam
1993         Stux Gallery, NYC
1991         Stux Gallery, NYC
1986          The Clocktower, NYC (December 1986-January 1987)
1986         Berkshire Museum, Pittsfield, MA
         "The Living Wall," Stux Gallery, New York, NY
1985         "Paintings," Stux Gallery, Boston, MA
1984         "New Paintings," Stux Gallery, Boston, MA
1983         Holly Solomon Gallery, New York, NY
         P.S. 1, New York, NY
1982         "New Paintings," Stux Gallery, Boston, MA
1980         Fordham University, Lincoln Center, New York, NY
         Connecticut College, New London, CT
1979         B.R. Kornblatt Gallery, Baltimore, MD
1977         The Art's Tower, Baltimore, MD

 

Group Exhibitions
2009 Art Strand, Provincetown,MA, "Paper Jam Invitational"2007  

MPG Contemporary, Boston, MA
          Art Strand, Provincetown, MA
          DeCordova Museum, Lincoln, MA New Arrivals, Permanent Collection
2006 Florence Lynch Gallery, NYC, Hypertexturalities(Architectures and Morphologies)
2003    Florence Lynch Gallery, NYC, Hypertexture
          Galerie Katharina Krohn, Basel
      Florence Griswold Museum, Old Lyme, CT. “The American River”
2002  Armory Show/ Stux Gallery, NYC
2001  Hofstra Museum, Hofstra University, “Artists After Moby-Dick”
1999  Kunstlerhaus Palais Thurn und Taxis, Bregenz, Austria, “IntendierteMalerei”.
1998         Tricia Collins Contemporary Art, NYC, “Black and Blue”
1998  Tricia Collins Contemporary Art, NYC,“Substance”
         In Arco, Milan, Italy, “Crossing”.
1997         Kolnischer Kunstverein,Koln, Germany, “CaCa PooPoo”.        
1997         Grand Salon, “Conversions”, NYC
         Gallery Korea, “Recurrence”, curated by Theresa Chung. NYC.
         Margulies-Taplin Gallery, Miami, FL
1996         Grand Salon, NYC.
1995         Grand Salon, "Spirit of the Matter", NYC.
1995-         "Critiques of Pure Abstraction," a traveling exhibit curated by Mark Rosenthal.
1997         Sarah Campbell Blaffer Gallery, University of Houston, 

Illingworth Kerr Gallery, Alberta College of Art, Calgary, Alberta, Canada,
         Sheldon Memorial Art Gallery, University of Nebraska, Lincoln.
         UCLA at the Armand Hammer Museum of Art and Cultural Center, Los
         Angeles.Crocker Art Museum, Sacramento.The Lowe Museum, University of Miami, Coral Gables. 

Frederick R. Weisman Museum, University of Minnesota, Minneapolis.
1995-"'Unpainted to the Last': Moby Dick and American Art, 1940-1990."  Traveling
1996         exhibit scheduled for:
                  Spencer Museum of Art, University of Kansas, Lawrence.
                  University of Michigan Museum of Art, Ann Arbor, MI.
                  Mary and Leigh Block Gallery, Northwestern University, Evanston.
1994         Stux Gallery, NYC: January
1994         Stux Gallery, NYC: June-July
1993         Stux Gallery, NYC: January
1992         DeCordova Museum, Lincoln, MA: May
1991         Tokyo Art Expo.
         Fumi International Gallery, Tokyo, Japan
         Stux Gallery, NYC   September-December
1988Fellowship Winner Exhibit, Artists' Foundation Gallery, Boston
         Lyman-Allen Museum of Art, New London, CT
1987         The Alternative Museum, NYC, "Endangered species."
Museum of Art, R.I.S.D., Providence, RI:  "The Call of the Wild: Animal Themes in Contemporary Art"
        
1987 Stux Gallery, NYC: March
1986  Connecticut College Alumni Exhibition, New London, CT
         "Inaugural Exhibition," Stux Gallery, New York, NY
1985Exhibition by members of the Visual Committee, Provincetown Fine Arts
Work          Center, Provincetown, MA
         "Contemporary Drawing," Brockton Museum of Art, Brockton MA
         "Artists' Toys," Vanderwoude Tanenbaum Gallery, New York, NY
             Midland Art Center, Midland, MI 
                Huntsville Art Museum, Huntsville, AL 
         Montgomery Art Museum, Montgomery, AL 
         Stux Gallery, Boston, MA
         Boston College Gallery, Newton, MA
1984         “Artsists Toys” Vanderwoude Tanenbaum Gallery, New York, NY
         "The Innovative Landscape," Holly Solomon Gallery, New York
         "Major Paper Works," Stux Gallery, Boston, MA
         "Chicago International Art Exposition," Chicago, IL
         Aspen Center for the Visual Arts, Aspen, CO          
         Hood Museum of Art, Dartmouth College, Hanover, NH
         Lowe Art Museum, Coral Gables, FL
         Stux Gallery, Boston, MA
1983         "Inaugural Exhibition," The Dog Museum of America, New York
         Stux Gallery, Boston, MA
         "Dogs!" Chicago Museum of Contemporary Art, Chicago, IL
         "Inaugural Exhibition," Holly Solomon Gallery, New York, NY
         Minneapolis Art Institute, Minneapolis, MN
1982         "The Beast" (curated by Richard Flood), P.S. 1, New York, NY
         Berkshire Museum 1982 Invitational, Pittsfield, MA
         "Fellowship Winner Exhibit," Rose Arts Museum, Brandeis University,  Waltham,          MA
         Boston Museum School, Boston, MA
         Stux Gallery, Boston, MA
         "Aviary," Museum of Modern Art, New York, NY
1981         "The New Hand," Holly Solomon Editions, New York, NY
         Allan Stone Gallery, New York, NY
1979         The Maryland Institute, Faculty Exhibition, Baltimore, MD
         Gallery 1708, Richmond, VA
         University of Maryland, Catonsville, MD
         School 33 Gallery, Baltimore, MD
         B.R. Kornblatt Gallery, Baltimore, MD
1978         Morris A. Mechanic Gallery, Baltimore, MD
1977         Allan Stone Gallery, New York, NY
1976         The Art's Tower, Baltimore, MD
1975         B.R. Kornblatt Gallery, Baltimore, MD

 

 

Fellowships, Awards, Juror
2001         Juror, Provincetown Fine Arts Work Center Fellowship Program
1991         Pollock-Krasner Foundation Grant
1987         Massachusetts Council for the Arts, Drawing Fellowship
1985         Juror, Provincetown Fine Arts Work Center Fellowship Program.        
1984         National Endowment for the Arts, Fellowship in Sculpture
1982         Massachusetts Council for the Arts, Drawing Fellowship

 

Bibliography
G.W. Mercure, “Sit Down Baby: Masters of Interpretation, Motif Magazine, March 18, 2009.
Joanne Stryker, “Structure and Vision” Prentice Hall, 2007
Timothy Cahill, “A Whale of a Mural”, Berkshire Living Magazine, Volume 1, Issue 6, August 2005
Jessica Ostrower, “Cheol Yu Kim and Mark Milloff at CUE Art Foundation”, Art In America, March, 2004, Issue #3
Lee Klein, “This Is The One”, http://www.nyartsmagazine.com/65/lee.htm, April 2002
Charles A. Riley II, “Aristocracy and the Modern Imagination” University Press of New     
          England. 2001
Reed Johnson, “Myth of the Whale”, The Los Angeles Times, Oct.31, 2001
Robert K. Wallace,Elizabeth Schultz, “Leviathan A Journal of Melville Studies”
         Volume 3, Number 2, Hofstra University 2001
Kim Levin, “Recommended”, The Village Voice, 6/03/2000
Layla Lozano,”The Way Things Work:Tricia Collins Contemporary Art, NYC”,

http://www.zingmagazine.com/zing13/review/10.html, 2000
Von Ariane Grabher, “Ein Haufen Farbe: Intendierte Malerei” Vorarlberger Nachrichten, Kultur D4, 11/23/1999
Von Inge El-Himoud-Sperlich, “Kunstlerhaus in Bregenz Zeigt Intenierte Malerei”, Vorarlberger Tageszeitung, Kultur p.49, 11/26/1999
Christine Temin, “Capturing the Soul of “Moby-Dick”, Boston Globe, 1/20/99.
A.F.”WeiBe See, tote Katze”, Kolner Stadt-Anzeiger, May 21,22, 1998.
Charles A. Riley II, “The Saints of Modern Art,” University Press of New England,1998.
Arno Orzessek, “Alles, was feucht ist,” Suddeutsche Zeitung #278, Dec.3 1997.
Von Margarete Hucht, “Pinsel tanzen wie Hexenbesen,” Kolnische Rundschau, Nov.7,          1997.
Amine Haase, “Malen mit Pluschtieren,” Kolner Stadt-Anzeiger, Nov.8/9, 1997
Debra Balken, “Mark Milloff, New Paintings” Grand Salon Catalogue Essay, Sept. 1997.
Christopher Knight, “Curatorial Concept in Search of an Enemy,” Los Angeles Times,          Feb.11, 1996
L. Kent Wolgamott, “Purely Abstract,” Lincoln Journal Star, Nov.26, 1995.
Patricia Johnson, “Pushing Past Purity,” Houston Chronicle, Jan.30, 1995.

Brittain Shaw, “Blaffer Exhibit Puts Abstraction in Modern Light,” Houston Chronicle,          Jan.28, 1995.

Pepe Karmel, “Critics Choice,” New York Times, Dec. 8, 1995.
Charles A. Riley II, “ White Light, A Progress of Paintings by Mark Milloff,” Grand Salon Gallery Catalogue Essay, December, 1995.
Elizabeth A. Schultz, "Unpainted to the Last: Moby-Dick and Twentieth-Century American Art," University of Kansas Press, 1995.
Charles A. Riley II,  "Color Codes," University Press of New England, 1995.
Independent Curators Incorporated, New York, "Critiques of Pure Abstraction," Catalog essay by guest curator Mark Rosenthal, January 1995.   
Mark Rosenthal, "Critiques of Pure Abstraction, Mark Milloff," Atelier International, Cover photo and article, November, 1994.
Christine Temin, "The Best Museum in New England," The Boston Globe Magazine, August 7, 1994
David Pagel, "Raw Power," The Los Angeles Times, February 10, 1994.
David Moos, "Mark Milloff, New Paintings" 1993, Stux Gallery Catalogue Essay,
         September, 1993.
Charles Riley, "Artists in Demand," The Art Newsletter International Biweekly , June 22,
         1993
Monroe Denton, "Mark Milloff," Teme Celeste Autumn, 1991.
Christine Temin, "Milloff Descends from the Mountain," The Boston Globe, June 22,          1989.
Gino Rodriguez, "Endangered Species, Ecological Commentaries", Catalogue, Alternative Museum Catalogue, February, 1987.
Kim Levin, "It's a Jungle Out There," The Village Voice, March 24, 1987, Vol. XXXII#12
Ken Johnson, "Mark Milloff," New Art Examiner, January, 1987.
Hellmut Wohl, "Berkshire Museum/Mark Milloff," Art New England, February, 1987.
Christine Temin, "Berkshire Museum Shows Epic Milloff Murals," Boston Globe,      November 6, 1986.
Charles Bonenti,"Landlocked Artist Hears Melville's Call," Berkshire Eagle,November6,86
Debra Balken, "Mark Milloff" Berkshire Museum Catalogue, Nov. 1986
Christine Temin, "Best of 1985," Boston Globe, January 6, 1986.
Christine Temin, "Perspectives," Boston Globe, October 10, 1985.
Lois Tarlow, "Featured Artist/Alternative Space," Art New England, July/August, 1985.
Charles Giuliano, "Six Neoromantic Artists," Art New England, April, 1985.
Christine Temin, "Romantic Landscapes from Six Bay Staters," Boston Globe, February          21, 1985.
Lynn Warren,  "What Rough Beast:  The Appearance of the Dog in Contemporary Art,"
         Chicago Museum of Contemporary Art Catalogue: "DOGS!", 1983
Lisa Peters, "Mark Milloff," Arts Magazine, May, 1983.
Jon Friedman, "Mark Milloff," Arts Magazine, June, 1983.
Phyllis Koenig, "Stux Gallery/Boston, Mark Milloff," Art New England, December, 1982.
Grace Glueck, "Of Beasts and Humans: Some Contemporary Views," the New York          Times, Sunday Arts & Leisure, November 14, 1982.
Christine Temin, "He Made Beezlebub a Fish," Boston Globe, October 12, 1982.
Jon Friedman, "Reinventing the Heroic: The Work of Mark Milloff," Arts Magazine,
         December, 1981.

Robert Merritt, "Banned in Baltimore, But Not in Richmond," Richmond Times Dispatch,
         September 7, 1979.
Robert Merritt, "Art: Southern Exposure," Richmond Times Dispatch, September 8,          1979.
Carl Schoettler, "Gallery Opener: What Young Artists are Doing, Thinking," the Evening
         Sun, August 14, 1979.
Elizabeth Stevens, "Art Notes," the Baltimore Sun, January 21, 1979.
R.P. Harriss, "Art: Milloff and Paradise Lost," the News American, January 14, 1979.
Paul Bernard, "Gallery: Leviathan Artist," the City Paper, January 5, 1979.

Visiting Artist
2004  Brown University, Spring Semester, “The Elm Tree Project”, Scientific Illustration, Design, painting and installation.
1997-99  Brown University, Fall ‘97, summer ‘98,’99,
1995         The University of Kansas, Lawrence (visiting artist, symposium panalist)
1988         The School of the Museum of Fine Arts, Boston, MA (visiting artist)
1984         Dartmouth College, Hanover, NH (visiting artist)
         Provincetown Fine Arts Work Center, Provincetown, MA (visiting artist)
1983         Simon's Rock of Bard College, Great Barrington, MA (adjunct)
         The Maryland Institute, Colllege of Art (visiting artist)
         The University of Delaware, Newark, DE (visiting artist)
1982         Connecticut College, New London, CT (visiting artist)
1981Rhode Island School of Design, Providence, RI (adjunct)
1979-         The Maryland Institute College of Art, Baltimore, MD (adjunct)
1980

 

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